An orphan deposited at birth in a New York boys’ home, he’s been listening to the sounds of the world in the belief that he’ll hear his parents’ call. (Just like the movie's happy ending.“Open yourself up to the music around you” is the advice of narrator/protag Evan (Freddie Highmore). Director Kirsten Sheridan draws the link between Louis and Lyla much more clearly, making their coupling seem completely inevitable and, consequently, dreamy and meant-to-be. But there doesn't appear to be the same bond between Evan and his father (though seeing them play guitar together is somewhat moving). The effect is humorous, but not for the right reasons you keep expecting him to go off on one of his riffs to signal that he's joking.Īugust Rush does a great job of establishing the connection between Evan and his mother in two separate scenes, they discuss how many days they've been apart, using nearly the same syntax. (Evan takes up with them, and it's Wizard who renames him August Rush.) With his hat and swagger, Williams seems to be channeling Bono by way of Saturday Night Live. However Robin Williams strikes the wrong chord as Wizard, an aging busker, who, Fagin-like, rounds up a bunch of musically inclined street urchins, encourages them to play, then keeps much of their take at the end of the day. But the stars - particularly Highmore and Russell - are charming, and so innocent that you can almost believe a story like this could happen in real life.
#August rush paramount reviews movie
Allegorical and not altogether literal, the movie is part musical and part fantasy, a combo that doesn't always quite mesh. Despite the lows - and there are lows - you just know there will be a happy ending. Show moreĪUGUST RUSH proudly wears its heart on its sleeve. And with the help of a social worker ( Terrence Howard), and the propulsive force of his music, he just might. (He's a prodigy, able to tap into the harmonies of nature - grass rustling, wind howling - and command new instruments the moment he picks them up.) So when they fail to materialize at the dreary institution's doorsteps, he sets out to look for them. Instead, Evan ( Freddie Highmore) is sent to a home for wayward boys, where he pines for his parents, believing he can will them to find him through his music. Nine months later, when a pregnant Lyla winds up in the hospital after an accident, she's told that the baby she and Louis conceived that night has died. But morning brings the harsh glare of sunlight - and reality: Lyla is whisked away by her protective father (William Sadler), never to see Louis again. After meeting cute in Greenwich Village, they spend the night together. It's the heady cocktail that entwines two young musicians - Irish singer-guitarist Louis ( Jonathan Rhys Meyers) and reserved, brilliant cellist Lyla ( Keri Russell) - in this imperfect-but-winning film. I don't want my kids thinking that's love.Īh, young love. Other than that, I think it was a cute movie, and the story of the boy was great, but the parents' backstory is just a little too unbelievable. Both of us agreed that "love at first sight" is merely a first impression, and that what they did was irresponsible. After finishing this movie, my 11-year-old and I had a conversation about true love. I want my kids to see realistic love stories, like that between me and my husband, or some of our couple friends, not flimsy, weepy, unrealistic stories like this. After being separated, they both spontaneously decide that they were meant for each other and rush off to New York. First of all, they had a kid without even meeting a second time and completely disregarding birth control. Yes, it's cute, yes, it's heartwarming, yet it's also kind of disturbing. Apparently, after thinking about each other for the ELEVEN YEARS they've been apart, they drop everything and rush back to the place they met to find each other again, and also find their son. Both are unaware of their son, who is wandering through New York trying to find them. They part ways and battle work and family life to find each other. After five seconds of talking to him, they make out and end up having sex (nothing shown until the morning) on a random roof. However, I wasn't sure what the movie was trying to get across? The overarching story is that a young woman met a guy somewhat like her on a roof.
Sure it was a good family movie, and covered the beautiful journey of a young boy searching for where he belonged.
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